Design Practice
With a background in fine art production and live events in art spaces, my transition into design was rooted in close collaboration with artists and art institutions. I originally came to design by making flyers for friends’ music events, and that collaborative, artist-led approach continues to shape my practice. I’m interested in how graphic design can extend an artist’s or institution’s intent—serving as a tool to communicate ideas, projects, and atmospheres. Past collaborators include SFMOMA, the Museum of Arts and Design, and the School for Poetic Computation.